EDEN'S CAVE was founded in 2016. We are dedicated to making work across theatre and film that is radical and that probes at the colossal questions of our age, unearthing social, spiritual, ecological and narrative-driven divides and seeking systemic and inner change through project building.

We are devoted to myths and the power of individual and collective imagination. Like myths, we make work about characters that go through extraordinary change in chaotic times. 

We are dedicated to building a community, an artistic village from our base in the Forest of Dean. We seek to work with artists who share in our core values of transforming the way we make, live and collaborate in challenging times.




Henry is an actor, performance artist, theatre maker and film director with a lifelong interest in art as a vehicle of transformation.


He trained at RADA on the MA Theatre LAB. He was a principal performer at the internationally acclaimed Polish company, Song of the Goat theatre touring on all projects 2014-18. He played the title role of Hamlet in the company's celebrated production, Crazy God.

He has worked with Amit Lahav, director of Gecko Theatre, the BBC, Mechanimal, Verity Standen and is Co-Founder of Animikii Theatre. He is Founder of the SOLO SCHOOL, supporting established and emerging artists develop their unique private practice and creative work. He has worked at RADA, Plymouth Conservatoire and Manchester Metropolitan University. 

Henry created Eden's Cave in 2016 along with Eleanor Buchan after returning from his work in Poland. Inspired by his work with Paul Oertel and Nancy Spanier and influenced by the Polish laboratory tradition, their intention is to create a unique cultural centre and company dedicated to making powerful work that responds directly to our changing times. 



Eleanor Buchan is a performer focused on storytelling traditions and ritual practice. She has taught and performed in over twenty-nine countries, seeking out our oral mythic heritage and engaging in cross-cultural research-based practice.

Trained with Philippe Gaulier in Paris and at Central School of Speech and Drama , she has performed extensively with the award-winning 1927 and with acclaimed site-responsive company Dante Or Die. She is an Associate Artist of The Heroine Project Presents, the Authentic Artist Collective and collaborates with performative pop-up restaurant company Art For Eating, Twice Shy Theatre Company, composer Des O’Connor and playwright Lucy Kirkwood.

She is Co-Artistic Director at The Shadow Travellers, a storytelling company that researches the collective unconscious.

She leads workshops in the mythic imagination for adults and young people.  She provides training in communication skills for the corporate sector and has delivered theatre courses around the world. She lectures in contemporary British Theatre at Ithaca College, London and is Co-Director of The Institute of Performance Roots. 



The seeds of the work I do as an actor, singer and teacher are sown in the soil of Grotowski inspired Polish physical theatre and its approaches towards integrity of performance, polyphonic music and the ancient power and stories of music rooted in people, landscape and tradition.

Emma’s work as a performer and teacher is rooted in her 10 years living and working in Wroclaw, Poland, with the Grotowski influenced Polish physical theatres, Song of the Goat Theatre and Teatr Zar. It has taken her on research trips searching for and learning songs and music from polyphonic traditions in Georgia, Corsica, Sicily and also the old folk traditions of Armenia and Scotland.


Her early meeting and work with Siberian folk music and the Irkusk Ensemble changed her understanding of music and gave rise to her firm held belief that old traditional music has encoded in it stories, topography, history, and life lived.



Adam is an actor, theatre-maker, percussionist and composer. He studied at the Royal Academy of Music in London.

He then worked extensively with orchestras and contemporary music ensembles around the world before being true to his passion for acting and moving to Paris to study at the Jacques Lecoq International School of Theatre. There Adam spent a revelatory three years, rediscovering the play of the actor and the innate desire to move while beginning to uncover the connections between different artistic mediums through our fundamental creative source.

Having paved a more authentic path forward, he moved to Poland to work with Song of the Goat Theatre, with whom he created new work and toured internationally.  He is now setting up his own company in the UK to create original multidisciplinary work and is also working closely with Eden’s Cave in both a theatrical and musical capacity. Adam plays the music of Steve Reich internationally with the Colin Currie Group.



I am interested in transformation. In where the story we are looking at, whether it's through film, theatre, music or art meets our own personal story. How do these stories work on us and how do we allow them to incarnate. I believe the character finds you for a reason and manifesting it into art is a case of listening to what wants to live. 

At art school I felt like a fraud so I took on the persona of the artist and began to re-enact pieces I thought were perfect. Art history as a script, the works of others as a map for self realisation. This has never stopped, I went onto train as an actor and fell in love with the physical, psychological and collaborative nature of it, with building characters and worlds. I'm fascinated in what makes people tick. 

BA(HONS) Fine Art, Kingston 

MA Theatre Lab, RADA

Actor/creator with: Animikii Theatre & Theatre RE.